Library
CFP: media in transition 5: creativity, ownership and collaboration in the digital age
April 27-29, 2007
Massachusetts Institute of Technology
CALL FOR PAPERS (submission deadline: Jan. 5, 2007)
Our understanding of the technical and social processes by which culture is made and reproduced is being challenged and enlarged by digital technologies. An emerging generation of media producers is sampling and remixing existing materials as core ingredients in their own work. Networked culture is enabling both small and large collaborations among artists who may never encounter each other face to face. Readers are actively reshaping media content as they
personalize it for their own use or customize it for the needs of grassroots and online communities. Bloggers are appropriating and recontextualizing news stories; fans are rewriting stories from popular culture; and rappers and techno artists are sampling and remixing sounds.
These and related cultural practices have generated heated contention and debate. What constitutes fair use of another's intellectual property? What ethical issues are posed when sounds, images, and stories move from one culture or subculture to another? Or when
materials created by a community or religious or ethnic tradition are appropriated by technologically powerful outsiders? What constitutes creativity and originality in expressive formats based on sampling and remixing? What obligations do artists owe to those who have
inspired and informed their work and how much creative freedom should they exercise over their borrowed or shared materials?
One source of answers to such questions lies in the past - in the ways in which traditional printed texts - and films and TV shows as well - invoke, allude to and define themselves against their rivals and ancestors; and - perhaps even more saliently - in the ways in which folk and popular cultures may nourish and reward not originality in our modern sense, but familiarity, repetition, borrowing, collaboration.
This fifth Media in Transition conference, then, aims to generate a conversation that compares historical forms of cultural expression with contemporary media practices. We hope this event will appeal widely across disciplines and scholarly and professional boundaries. For example, we hope this conference will bring together such figures as:
* anthropologists of oral and folk cultures
* historians of the book and reading publics
* political scientists and legal scholars interested in alternative approaches to intellectual property
* media educators who aim to help students think about their ethical responsibilities in this new participatory culture
* artists ready to discuss appropriation and collaboration in their own work
* economists and business leaders interested in the new relationships that are emerging between media producers and consumers
* activists and netizens interested in the ways new technologies democratize who has the right to be an author
Among topics the conference might explore:
* history of authorship and copyright
* folk practices in traditional and contemporary society
* appropriating materials from other cultures: political and ethical dilemmas
* poetics and politics of fan culture
* blogging, podcasting, and collective intelligence
* media literacy and the ethics of participatory culture
* artistic collaboration and cultural production, past and present
* fair use and intellectual property
* sampling and remixing in popular music
* cultural production in traditional and developing societies
* Web 2.0 and the "architecture of participation"
* creative industries and user-generated content
* parody, spoofs, and mash-ups as critical commentary
* game mods and machinima
* the workings of genre in different media systems
* law and technological change
Short abstracts of no more than 200 words for papers or panels should be sent via email to Brad Seawell at [email protected] no later than January 5, 2007. Brad can be reached by phone at 617-253-3521. Email submissions are preferred, but abstracts can be mailed to:
Brad Seawell
14N-430
MIT
Cambridge , MA 02139
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Library
CFP: media in transition 5: creativity, ownership and collaboration in the digital age
CFP: media in transition 5: creativity, ownership and collaboration in the digital age
April 27-29, 2007
Massachusetts Institute of Technology
CALL FOR PAPERS (submission deadline: Jan. 5, 2007)
Our understanding of the technical and social processes by which culture is made and reproduced is being challenged and enlarged by digital technologies. An emerging generation of media producers is sampling and remixing existing materials as core ingredients in their own work. Networked culture is enabling both small and large collaborations among artists who may never encounter each other face to face. Readers are actively reshaping media content as they
personalize it for their own use or customize it for the needs of grassroots and online communities. Bloggers are appropriating and recontextualizing news stories; fans are rewriting stories from popular culture; and rappers and techno artists are sampling and remixing sounds.
These and related cultural practices have generated heated contention and debate. What constitutes fair use of another's intellectual property? What ethical issues are posed when sounds, images, and stories move from one culture or subculture to another? Or when
materials created by a community or religious or ethnic tradition are appropriated by technologically powerful outsiders? What constitutes creativity and originality in expressive formats based on sampling and remixing? What obligations do artists owe to those who have
inspired and informed their work and how much creative freedom should they exercise over their borrowed or shared materials?
One source of answers to such questions lies in the past - in the ways in which traditional printed texts - and films and TV shows as well - invoke, allude to and define themselves against their rivals and ancestors; and - perhaps even more saliently - in the ways in which folk and popular cultures may nourish and reward not originality in our modern sense, but familiarity, repetition, borrowing, collaboration.
This fifth Media in Transition conference, then, aims to generate a conversation that compares historical forms of cultural expression with contemporary media practices. We hope this event will appeal widely across disciplines and scholarly and professional boundaries. For example, we hope this conference will bring together such figures as:
* anthropologists of oral and folk cultures
* historians of the book and reading publics
* political scientists and legal scholars interested in alternative approaches to intellectual property
* media educators who aim to help students think about their ethical responsibilities in this new participatory culture
* artists ready to discuss appropriation and collaboration in their own work
* economists and business leaders interested in the new relationships that are emerging between media producers and consumers
* activists and netizens interested in the ways new technologies democratize who has the right to be an author
Among topics the conference might explore:
* history of authorship and copyright
* folk practices in traditional and contemporary society
* appropriating materials from other cultures: political and ethical dilemmas
* poetics and politics of fan culture
* blogging, podcasting, and collective intelligence
* media literacy and the ethics of participatory culture
* artistic collaboration and cultural production, past and present
* fair use and intellectual property
* sampling and remixing in popular music
* cultural production in traditional and developing societies
* Web 2.0 and the "architecture of participation"
* creative industries and user-generated content
* parody, spoofs, and mash-ups as critical commentary
* game mods and machinima
* the workings of genre in different media systems
* law and technological change
Short abstracts of no more than 200 words for papers or panels should be sent via email to Brad Seawell at [email protected] no later than January 5, 2007. Brad can be reached by phone at 617-253-3521. Email submissions are preferred, but abstracts can be mailed to:
Brad Seawell
14N-430
MIT
Cambridge , MA 02139
- Cfp: Popular Culture Association Of Canada (pcac) 2nd Annual Conference
CFP: Popular Culture Association of Canada (PCAC) 2nd Annual Conference URL: http://www.canpop.ca/2012-conference/2012-call-for-papers The 2nd Annual Conference of the Popular Culture Association of Canada will be held at the Sheraton on the Falls Hotel,...
- Call For Papers: Special Issue Of The Journal Of Media Literacy Education
CALL FOR PAPERS: SPECIAL ISSUE OF THE JOURNAL OF MEDIA LITERACY EDUCATION The Journal of Media Literacy Education invites submissions for a special theme issue exploring the relationship between media literacy and digital media and learning. Children...
- Cfp: Cultures Of Noise: Communicating Error In An Information Age (popular Culture Association/american Culture Association National Conference)
CFP: CULTURES OF NOISE: Communicating Error in an Information Age (Popular Culture Association/American Culture Association National Conference) Boston, MA April 4-7, 2007 Deadline for Submissions: November 1, 2006 The Electronic Communication and Culture...
- Cfp: "art In The Age Of Technological Seduction"
CFP: "Art in the Age of Technological Seduction" CALL FOR PAPERS: DEADLINE JULY 30, 2006 "Art in the Age of Technological Seduction" Fall 2006 issue of NMC media-N: journal of the new media caucus Guest Editors: Legier Biederman and Joshua Callaghan http://www.newmediacaucus.org/media-n/call.htm...
- Cfp - M/c (journal Of Media & Culture) Porn Issue
(MY NOTE: Librarians often have to deal with the political issues of pornography and this is more and more common as libraries are seen as places for free access to graphic-intensive sites on the Internet.) CALL FOR PAPERS: M/C: THE "PORN" ISSUE: An...